Some of you (who, actually?) might wonder what I think about Terrence Malick's The Tree of Life and DFW's The Pale King, because I fell pretty silent after having watched and read those works.
Well, the reason is that both of em pretty much leave me speechless. There is not much to say about The Tree of Life other than: Go watch it. Wherever and whenever you get the chance to see that movie on a big screen, do it! This is a cinematic experience that you will rarely encounter in your life. If you plan to see it but don't feel the urge to do so in a movie theater: Don't. By which I mean, rather never see it in your whole life than not on the big screen. You would not want that. You will want to avoid your emotions of regret and loss for having avoided it in the theater. A couple of weeks ago I strained an ankle because I tried to get the best possible seats for a one-time screening of Kubrick's 2001 in a local theater. The pain kept me from being able to watch the darn thing. But nevertheless, 2001 on the big screen is exactly the thing you want to be willing to strain an ankle for. So is The Tree of Life. (As well as Gaspar NoƩ's radically visionary Enter The Void, of which you can see the trailer here, the opening credits here and the first 10 minutes here, just to make you want to watch it on the BIG SCREEN. This is a physical experience that "essentially flips the brain-off switch for you"). I've seen The Tree of Life two times already and will do so a third time next week. Anyone with an interest in cinema will want to see this visual masterpiece. Again, on the big screen. It does not work in any other way. It makes no sense at all to watch it any other way.
Regarding The Pale King: I do not dare put my words to anything, really, that DFW put on page but, again, read it (this time not on screen though, not even a big one, whether it is standard Kindle, IPad or 24" wide-screen sized, but on page in a published book). His writing and ideas are far from boring. It is true, yes, that The Pale King is unfinished, and you will notice it when you arrive at the last pages, especially at the appended notes and asides found with Wallace's manuscript. From the feel of it, with its about 560 published pages, about the same amount is missing. But what is actually there between the covers, is still among the best literary achievements you will be able to find by any living (or dead) American writer.
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